Jesus Christ Superstar

Reviewed by Nikki Cotter

Opening Night verdict ⭐⭐⭐⭐⭐

Ever since I saw Timothy Sheader’s bold reimagining of Andrew Lloyd Webber’s Jesus Christ Superstar at Regent’s Park Open Air Theatre I thought how perfect it would look on the Lowry’s Lyric stage, fast-forward several years and here we are in sunny Salford where there’s undoubtedly a buzz in the air.

This innovative restaging of the much-loved classic thrills right from the very first moments as the ensemble excitedly rush through the stalls onto Tom Scutt’s industrial looking set, complete with high scaffold columns and an imposing fallen cross.

As the iconic intro notes to Heaven On Their Minds play out, we see a brooding, hooded Shem Omari James as Judas surveying the scene. Judas and Jesus poignantly lock eyes for the 1st time before Shem Omari James’ crystal clear vocals give us a striking indicator of the quality of the production we’re about to see.

Ian McIntosh is superb in the role of Jesus, his vocals are insanely good, while his performance is rich in empathy and emotion as he accepts the fate he knows lies before him. His delivery of Gethsemane is electric, ensuring every audience member feels his turmoil at this pivotal point in the show. Lee Curran’s lighting design adding to the already spine-tingling scene making this an absolute chef’s kiss moment.

The scenes between Judas and Jesus are intense and loaded, each character is well-defined, and has their own powerful story to tell. The symbolism and poignancy of each heated exchange between the two further engaging us in this beautifully directed piece.

Hannah Richardson gives a heavenly performance as Mary Magdelane, she softens each scene with her gentle, loving characterisation, further opening up the opportunity to show Jesus as a multifaceted, complex man. Her delivery of I Don’t Know How To Love Him is sublime.

Ryan O’Donnell gives a commanding, considered performance as Pilot his incredible vocals during Trial Before Pilot are a thrilling highlight of the show. Timo Tatzber makes the most of every minute on stage as the brilliantly brattish, bawdy Herod, his physicality and flamboyance perfectly embodying the character.

Jad Habchi and Stephen Lewis-Johnston as High Priests Caiaphas and Annas are incredible, strong and striking as they plot to bring Jesus down, they have the most unbelievable ranges and deliver Tim Rice’s lyrics in memorable style.

In addition to the leads the tremendous ensemble ensure this visually arresting production surprises and impresses throughout. They deliver Drew McOnie’s modern choreography with stunning accuracy, switching from celebratory crowd to baying mob with powerful precision.

The inspired choreography paired with stunning performances ensure this Jesus Christ Superstar is one which will live long in the memory. Breathtakingly brilliant from start to end.

Jesus Christ Superstar is on at The Lowry until Saturday 25th May, tickets available here.

We Will Rock You

WE WILL ROCK YOU

Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

If ever there was a perfect time to revive the 2002 hit musical featuring the iconic music and lyrics of the mighty Queen it most is definitely now. The band were thrust back into the spotlight with the enormous success of smash-hit movie Bohemian Rhapsody introducing their music to a whole new generation so it comes as no surprise to see the Palace Theatre full to the rafters for We Will Rock You’s welcome return to Manchester.

The Ben Elton penned show transports us to the dystopian land of iPlanet set 300 years in the future. Freedom of expression is all beut gone as the Globalsoft Corporation control minds and hearts with their computer generated over produced pop tracks. Musical instruments are banned while rock music is a thing of the past, wiped from the minds of the masses as conformity is expected and rebellion quickly stamped out.

WE WILL ROCK YOU

Galileo and Scaramouche however are desperate to ‘break free’ from the dismal world around them, unique from the rest of the Ga Ga clones they stand out from the crowd as individuals, drawn to a life of freedom and expression, something Killer Queen the head of Globalsoft fears enormously. A chance meeting with Bohemians Brit and Oz cements their belief that there’s more to life than mindless scrolling, then just need to find out what!

6 years since it closed on the West End We Will Rock You has been brought bang up to date visually with the addition of stunning wall projections from Giles Maunsell and Sam Pattinson – Treatment Studio while Ben Elton has revisited his original script revamping it with modern references making it feel current and fresh, Alexa #MeToo and even Gangnam Style all get a mention.

WE WILL ROCK YOU

The success or failure of this production undoubtedly rests upon the ability of the cast to deliver Queen’s monster tracks to a standard Freddie would be proud of and boy do they do him justice! Ian McIntosh is superb as Galileo, vocally outstanding he confidently channels his inner rock God. Bursting with talent and personality this isn’t a Freddie imitation but a standalone performance of the highest quality.

Elena Skye impresses enormously as an empowered Scaramouche, her soulful vocals are delivered with self-assured sass while she playfully interacts with McIntosh (Galileo) & proves convincingly that sisters can indeed do it for themselves.

Jenny O’Leary is an absolute powerhouse as Killer Queen, slaying each song with her huge voice and tremendous on stage presence. David Michael Johnson and Amy Di Bartolomeo play off each other wonderfully as Brit and Oz each delivering knockout vocals while Adam Strong is hugely impressive as Khashoggi. Special mention must also go to Michael McKell who brings the laughs as Buddy with his Jaggeresque swagger and hilarious mispronunciations of pretty much everything!

WE WILL ROCK YOU

This is a jukebox musical that never takes itself too seriously it delivers and then some! Take Queen’s killer back catalogue, team it with Ben Elton’s clever book then add a creative team whose motto is quite probably ‘Go big or go home’ and you’ve got an irresistibly brilliant production, not just for Queen fans but music and musical theatre fans alike. Just as one mega hit finishes another begins all delivered by a cast at the absolute top of their game, it’s high-energy, highly entertaining, blow your socks off theatre. Perfect escapism for anyone with the January blues, We Will Rock You really is a kind of magic!

We Will Rock You is on at Manchester’s Palace Theatre until Saturday 8th February tickets available here.