Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Telling an incredible story without saying a single word is a skill not gifted to many, how lucky we are then to have Sir Matthew Bourne, who succeeds entirely in taking beloved stories and transforming them into the most stunning visual treats.

Bringing Edward Scissorhands back to the stage after 9 years feels like glorious gift, this cinematic favourite is translated with such care and creativity that it will no doubt gain an army of new fans experiencing this stunning production for the first time. Everything you love from the movie is here with the added thrill of watching the New Adventures Company’s magical interpretation play out vibrantly on stage.

Set in the 1950’s, a heart-broken inventor sets about bringing the spirit of his lost son back to life in the body of a newly created boy, but before he is fully formed disaster strikes, Edward flees the only home he’s ever known for the perfectly pruned streets of suburbia in the hope he’ll find happiness.

Taking on the eponymous role is Liam Mower who succeeds entirely in capturing the innocent curiosity of Edward, his ability to story-tell through movement alone is exceptional. He brings great humour and pathos to the character ensuring each and every audience member roots for him from the start. His pairing with Katrina Lyndon is perfection. Taking on the role of Kim, Edward’s love interest, Lyndon shines in every sequence. Her performance is flawless as she delivers Bourne’s intricate choreographer with an impressive fluidity.

Fundamental to this piece are the New Adventures company who make up the families and townsfolk of Hope Springs, they bring both light and shade as required as well as offering an opportunity to really emphasise the stark reality of how those who appear different within a community are treated by some. Their characterisation is incredible, each and every person on stage stays completely in character, all with their own mini interactions happening. I honestly think you could watch this show a hundred times and you’d still see something new, so defined and detailed is this piece.

Lez Brotherston’s costumes and set design, both impressive and inventive add further authenticity. Terry Davies musical arrangements of Danny Elfman’s original movie score brings a magical atmosphere to the piece complimenting Howard Harrison’s dynamic lighting wonderfully.

This whole production is truly magical, director and choreographer Matthew Bourne packs the production with warmth, wit and heartfelt emotion as well of course, as sublime choreography. Flawless from start to finish, this sparkling retelling of a deeply moving tale will stay with you long after the curtain call, enchanting you entirely.

Edward Scissorhands is on at The Lowry until Saturday 2nd December tickets available here.